Book Announcements, poetry

New Release! “Man Afield” by Jim Krosschell

We are pleased to announce the New Release of Man Afield by Jim Krosschell.

Jim Krosschell has published poems and essays in some 85 journals, plus two essay collections: One Man’s Maine, which won a Maine Literary Award, and Owls Head Revisited. He lives in Deer Isle, ME and Newton, MA, and volunteers on Boards for Coastal Mountains Land Trust and the Maine Writers & Publishers Alliance.

His poetry collection, Man Afield is a lyrical journey through the living world, guided by a backyard naturalist attuned to both wonder and warning. These poems chronicle spiritual and physical excursions into landscapes larger than any one mind or body — places where awe, joy, disorientation, and reckoning intertwine.

Organized in six evocative sections, the collection:

I. bears witness from a seaside deck;

II. wanders through yard and neighboring woods;

III. explores the shifting shoreline;

IV. imagines the vast and restless ocean;

V. surveys the scars of environmental damage;

VI. honors home in its many meanings.

Throughout, the poems dwell in the charged space where humans and the natural world meet. They examine our peculiar paradox: we are the only species that knowingly fouls its own nest — and the only one capable of choosing restraint. With clear-eyed honesty, Man Afield mourns the grinding erosion of precious places while celebrating the stubborn beauty that persists despite us — and sometimes because of us.

From deck to forest trail, from tidal pull to smoke-streaked sky, these poems trace one person’s evolving relationship with plants, animals, weather, memory, and spirit. Intimate yet expansive, they invite readers to travel outward into the wild and inward toward belonging.​

Man Afield is at once a field journal, a meditation, and a love song — to earth, to home, and to the fragile bond between them./


What reviewers have to say:

A “backyard naturalist,” Jim Krosschell writes about human relationships with the natural world. His previous books include One Man’s Maine and Owls Head Revisited. He has been Board President for Coastal Mountains Land Trust and the Maine Writers & Publishers Alliance and continues to volunteer in conservation and publishing communities. Before retirement, he worked in science publishing in Boston and now lives in Deer Isle, Maine and Newton, Massachusetts.

I read Man Afield in one sitting, delighted as the speaker in these poems trains his roving eyes and ears on his surroundings and the wonders of the natural world, searching for any “wildly beating heart.” There is no high or low in the cataloguing and noticing that happens here—gnats, ants, many kinds of birds and trees, rivers, oceans, the delicious names of plants all receive attention and care. These poems are clear-eyed, not romantic—they take in the “miles of Walmart, Ford, and Shell” and Land Cruisers “junked on the veldt” and know well how precarious our world is. Krosschell still chooses, again and again, to draw his careful attention to, say, three loons on “this stretch of shore / on the coast of Maine…” and to allow himself, and us, to be mesmerized.

Gibson Fay-LeBlanc, Author of Deke Dangle Dive


What a satisfying and uplifting ride it is to join Krosschell’s journey from young man, “with his dreams of rivers” to old man with his “permanent perch on a hermit’s wild ledge,” overlooking the forest and coast of Maine, mindful of carbon’s engulfing demise, delighting in the “manna of joy administered only in crumbs.” From Man Afield’s opening flight of poems that expose what’s small and barely perceptible, to its closing epics and late-life gatherings, these are poems of a specific earned grace brought to beauty by Krosschell’s firm roots in the natural world. There is lament here for irreparable loss but also humor and social commentary (“Turkeys,” “White Man’s Footstep”), a retort to Frost (“Whose Woods These Are”), and a brilliant ode of reflection to Thoreau, “March Into April” and its haunting question, “will spring still come to the window and wake me?” Man Afield’s poems are grounded in the terra firma of New England, but their reach is universal, and they reward fully with the music of observation.

Bruce Willard, Author of In Light of Stars


In graceful, accessible language, Jim Krosschell’s poems create a glass pane through which to view and ponder the wonders of the natural world and the fraught relationship of humankind to it. Often clear and bright, sometimes dark, and always reflective, these poems reveal a man alive to the world he observes precisely and lovingly, and to which he longs to connect his self and the transcendent. Something we all, in our own way, seek in our lives. Man Afield is a collection that invites us in to learn from one man’s journey to our benefit.

Brian Schulz, Poet

Get your copy at ProlificPulse.com

Announcements, Book Announcements, Book Funnel, caregiving, poetry

When Cancer Enters the Family

When someone you love is diagnosed with late-stage cancer, language shifts.

Ordinary words—appointment, waiting room, prognosis—take on new gravity. Time bends. Conversations sharpen. Silences grow louder.

In Cancer Courts My Mother, LindaAnn LoSchiavo transforms that altered landscape into poetry that is intimate, unsparing, and profoundly human.


When Cancer Enters the Family

This is not a clinical account of illness.

It is a daughter’s reckoning.

A caregiver’s vigil.

A complicated love story between mother and child—layered with devotion, resentment, memory, humor, and the quiet tenderness that surfaces when the end approaches.

Across 25 poems, LoSchiavo gives voice to:

  • The exhaustion of caregiving
  • The ache of unresolved history
  • The strange flashes of beauty inside sorrow
  • The love that refuses to leave

Her poems do not look away. But they also do not surrender to despair.

Instead, they ask:

What does it mean to accompany someone to the threshold?
How do we hold grief and grace in the same hand?
What remains when words fail?


Why Readers Are Saying Yes

Readers and reviewers have described the collection as:

  • “Candid and unflinching.”
  • “A testament to complicated love.”
  • “Tender without sentimentality.”
  • “A lyrical exploration of resilience.”

The poems resonate because they speak to universal themes—loss, reconciliation, anger, hope, and the stubborn persistence of love—even as they remain deeply personal.

If you have ever:

  • Managed medications and memories
  • Struggled with unfinished conversations
  • Loved someone through decline

You will recognize yourself here.


A Voice of Candor and Grace

LindaAnn LoSchiavo writes with clarity and restraint. Her lines are spare yet resonant. Her images—closets, gardens, corridors, dance-like metaphors of movement and stillness—carry emotional weight without excess.

There is sorrow here.

But also wit.

There is anger.

But also forgiveness.

And, perhaps most powerfully, there is presence.


Receive a Free Sample

If you’re curious about the emotional depth and artistry of this collection, we invite you to experience it for yourself.

Read a free sample of Cancer Courts My Mother and step into a poetic journey that honors both the fragility and the fierce beauty of love at the edge of loss.

✨ Inside the sample, you’ll discover:

  • Selected poems from the collection
  • A glimpse of LoSchiavo’s lyrical voice
  • An intimate portrait of caregiving and connection

Let these poems accompany you—whether you are navigating illness, remembering someone you’ve lost, or simply seeking language for the complexities of love.

Get your free sample now and begin reading today.


Because sometimes poetry says what prose cannot.

And sometimes, when everything feels uncertain, a poem is the one steady thing left to hold.

View more at https://www.prolificpulse.com/lindaannloschiavo

interview

Featuring Nolcha Fox

When I saw the following interview with Nolcha Fox, I was so pleased that I just had to share. It’s been such a pleasure to work with Nolcha Fox with the publishing of the above books. All are available on ProlificPulse.com/NolchaFox

Thank you to Poetic Bloomings for interviewing this prolific poet!

Prolific Bloomings Interview of Nolcha Fox

Book Reviews, poetry

The House of Representatives: a review by Peter Mladinic of “You’ve got it all wrong” by Ken Tomaro

Thank you to Peter Mladinic for this excellent review of Ken Tomaro's latest collection. [Sensitive Content Warning]

The House of Representatives: a review of You’ve got it all wrong, by Ken Tomaro. Prolific Pulse Press. Raleigh, NC. 2025. $12.95 paper.

Reviewed by Peter Mladinic

Just as there are representatives in politics, poetry too has its representatives, one difference being: there’s no party line to the imagination. Ken Tomaro, in the state of Ohio, is reminiscent of two poets in the neighboring state of Pennsylvania, John Yamrus and Dan Flore III. Like them, he eschews capitalization and standard punctuation, and like them, his comments are blunt, succinct, and direct. Yet all there are distinct voices. Ken Tomaro, like the hero in Frank Capra’s film Mr. Smith Goes to Washington, speaks for all of us. Three things worth noting in Tomaro’s poems are his imagery: his syntax, particularly his interpolated interjections, and his use of the first-person plural we.

Tomaro’s images are exacting, “on the mark, in that they are essential to the whole poem. In “I remember the distinct aroma” as the title indicates, the olfactory takes precedence. The speaker, in a coffee shop smelled an aroma reminiscent of “Polish donuts…from childhood.” The coffee shop workers “couldn’t tell me which pastry it was because I couldn’t describe it.” At the end, his question “but it goes deeper than that, doesn’t it?” is like the donut image at the start, absolutely essential to an appreciation of this imagist poem about memory. “Make it stop” relies on a tactile image. The speaker is irked or annoyed by people violating his personal space.

they were standing 3 feet from my desk
talking about their kids,
comparing all the sports they were in
all the after-school activities
which coach does his job, which one needs to retire
blocking the isle so I couldn’t escape if I wanted to

This tactile image leads to a comment on society that is both poignant and funny. His pain is his readers’ pleasure as he says, “death is 5 feet away from me in the living room every night.” "Cash,” paper money, in “I can’t give you that” is what the speaker wants for Christmas. It leads him to say, “I can’t give her her old life back / I can’t give her a new set of legs / I can’t give her a million dollars.” This poem is similar to, yet opposite from “Playing God.” In that poem he looks out a window, “down on the traffic / speeding down the highways.” Rather than the person painfully aware of his limitations in “I can’t give you that,” here, in “Playing God” he pretends the cars are little race cars, “toys / running on an electric track / and I am …deciding how fast or slow they go.” The interpolated interjection is an element of syntax Tomaro uses to achieve compactness in his poems. It is particularly effective in “Summer of ‘89, where he puts one complete comment inside another.

the cement blocks we walked along were perfect squares
but now, after years of Lake Erie slapping against them
made them worn down and smooth
there were little pockets along the surface

“Lake Erie slapping against them made them warm and smooth” the complete comment within the other complete comment “The cement blocks …were perfect squares / but now …there were little pockets along the surface “layers the texture of those blocks, adds to these things readers can touch. In “Chickens,” the speaker, running errands, sees something out of the ordinary, “two chickens pecking away at a pile of leaves …in suburbia.” He says, “I laugh for a moment at the absurdity of what I’ve seen / this is truly absurd; I can’t be the only one who thinks so.”

The comment within the comment— “this is truly absurd” accents his surprise at seeing “chickens where chickens shouldn’t be.” Other poems in which interpolated interjections play a vital part are “Reminiscence” and “Bad genes. In “A glittering shitshow of smash-faced adults” the interpolated interjection acts as a bridge of time linking adulthood to childhood:

I’m sitting in the office
listening to John Prine
pining for that good old country life
feeling all weepy and shit
he knew the deal
he knew how it was
and there I was
a 14-year-old boy
with a half-assed mustache
surrounded by a town full of smashed-faced kids

The interjections “he knew the deal / he knew how it was” are followed by “I was,” and a memory of childhood.

Like the hero in Frank Capra’s Mr. Smith Goes to Washington, Ken Tomaro speaks for we, the people. One of his talents is that his deeply personal voice speaks for all of us. Like us, the speaker is an imperfect person living in an imperfect world. If he could he’d tell God that “this masterpiece he created / is just a pile of mud and sticks / slapped together haphazardly.” The title of the book comes from the first line of “We all carry anger.” With his direct address, the speaker conveys empathy. “I think you’ve got it all wrong / but I can see your grief from losing something.” Farther along, “I know you had a plan / and maybe it didn’t go as planned.” And finally, (profoundly), “you continue to do all these things / you say you can’t do /without even realizing you’re doing them.” This book does not lack for humor. “The big God damned bang” gives a unique spin to Adam and Eve’s fall from grace:

This is for you and only you. Go forth and explore, take in all the beauty and the glory. Go wherever you want, do whatever you want. Think and feel however you want. Just don’t touch that fucking apple, is all I’m saying. Give me a fucking break, man. Don’t invite me into your house for a party and tell me eat, drink, be merry, just don’t sit on the couch in the family room. It’s an antique, my grandmother’s, in pristine condition…

This irreverently funny passage conveys an exasperation people must feel at one time or another when thinking about Adam and Eve’s being cast out of paradise, to toil and sweat and grow old and die.

This passage of satire depicts the human condition of transience and mortality. Ken Tomaro’s topic is the human condition. The quotable passages in his poems are many. He is poignant, funny, irreverent, inquisitive, and contemplative. With an attentively attuned ear and a sharp eye for beauty, he makes the subjective objective, the local universal. He says things his way, as he simultaneously instructs and entertains. At the end of the book, he addresses his readers. “Here’s wishing you well and safe travels.” He means it. And his book is deserving of many readers.
...
Peter Mladinic was born and raised in New Jersey. He graduated from the University of Minnesota in 1973 and earned an MFA in Creative Writing at the University of Arkansas in 1985. Professor emeritus at New Mexico Junior College, where he was a member of the English faculty for thirty years. During that time, he was a board member of the Lea County Museum and president of the Lea County Humane Society. He is the author of seven books of poems; his most recent book, Maiden Rock, is available from Uncollected Press (2024). An animal rights advocate, he lives in Hobbs, New Mexico, USA.

You've Got it All Wrong, Prolific Pulse Press LLC (2025) is available at online stores.
Celebrations, Poets & Events, short story, writing

A Celebration of Poetry

We gathered together on Tuesday night to celebrate prolific poetry. I thought I would share this event. There are some announcements included and more.

A Celebration of “Prolific Poets of 2025” #poetrylovers #poetry

We gathered together to celebrate many of the poetry books published in 2025 by Prolific Pulse Press LLC If you see a book or books you would like, the links follow each presenter below or go to https://www.prolificpulse.com/ Be sure to sign up for our mailing list! https://dashboard.mailerlite.com/forms/1262629/142795590456050886/share

Roberta Batorsky is a Biology teacher and freelance science writer. Her poetry reflects her interest in people, their lived experiences and science. She lives in NJ with her husband and has 2 children and 2 grandchildren. she writes with empathy, knowledge and humor and has been published in Heron Clan, Fine Lines, NJ Bards, Delaware Valley Poets and other collections. This is her first book. https://www.prolificpulse.com/robertabatorsky #poetrycollection #poetsofnewjersey #perihelion

Loralee Clark is a writer who grew up learning a love for nature and her place in it, in Maine. She resides in Virginia now as a writer and artist, with two awesome kids and a loving husband. She writes poetry and non-fiction. Myth is her love language. https://www.prolificpulse.com/loraleeclark #myth #poetsofvirginia #solemnity #rites

Zaneta V. Johns is a world-class author of three poetry collections and What Matters Journal. She has co-authored five international bestselling collaborative books and co-edited three poetry anthologies. Johns is an editor of Fine Lines Journal and Women Speakers Association Poet Laureate. Johns resides in Colorado, USA. https://www.prolificpulse.com/zan-johns #poetlaureate #coloradopoets #colorado #awardwinningpoet #poetryeditor

Melissa Lemay lives in Lancaster County, Pennsylvania, with her children and cats. She writes about God, addiction, trauma, healing, motherhood, and many other things. She enjoys spending time with family, drinking good coffee, and being outdoors. She loves animals. Her poem, “Ephemeral,” was chosen as Poetic Publication of the Year for 2023 at Spillwords Press; she was Author of the Month for July 2024 and Author of the Year for 2024. Find her at melissalemay.wordpress, collaborature.blogspot, and at dVerse Poets Pub. https://www.prolificpulse.com/melissalemay #rengay #pennsylvaniapoets #poetrycollection #collaboration #humor

LindaAnn LoSchiavo is a dramatist, writer, and poet. A native New Yorker, LoSchiavo has received nominations for the Pushcart Prize, Rhysling Award, Best of the Net, the IPPY Award, CLMP’s Firecracker Award, Balcones Poetry Prize, and Dwarf Stars. She is a member of Science Fiction Poetry Assoc., The British Fantasy Society, and The Dramatists Guild. She has won Two Awards for Cancer Courts My Mother. https://www.prolificpulse.com/lindaannloschiavo #cancer #grief #caregiving #parentchildrelationship #newyorkpoets #awardwinningpoet

Never until recently did Ken Tomaro consider writing poetry. Not when he slid from the womb. Not when he felt the first tingle of teen hormones. Not after he got married, divorced, moved to another city, lost a couple jobs, moved back. It just sort of happened. Ken Tomaro, self-proclaimed poet laureate of the Cleveland sewer system, has been writing poetry for a few short years. He’s not famous, rich, recognized or read in schools across America. He has been published in several literary journals, done a couple podcasts, started the YouTube channel, Screaming Down the Poetic Highway, and that’s pretty damn impressive. Ken Tomaro.com https://www.prolificpulse.com/kentomaro #poetry #lifesterms #contemporary #ohiopoets

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