This Poetry Collection is available for purchase through online stores. Born from a shared love of dark humor and playful wordplay, Seesaw is a delightful balancing act of wit, whimsy, and poetic mischief. Ken Tomaro and Nolcha Fox first crossed creative paths in the Thursday Night Poets group, where their mutual knack for quirky, offbeat humor sparked an unexpected collaboration. What began as playful exchanges-plucking words and phrases from each other’s poems to craft something new-quickly evolved into a collection that swings between the light and the dark, the serious and the absurd. Seesaw is poetry at its most spontaneous and fun, a reminder that even in life’s heavier moments, there’s always room to laugh, twist the narrative, and dance on the edge of meaning. Dive into this collection and let the playful push and pull of their voices keep you balanced right in the middle of the seesaw.
About the Authors
Ken Tomaro Never until recently did he consider writing poetry. Not when he slid from the womb. Not when he felt the first tingle of teen hormones. Not after he got married, divorced, moved to another city, lost a couple jobs, moved back. It just sort of happened. Ken Tomaro, self-proclaimed poet laureate of the Cleveland sewer system, has been writing poetry for a few short years. He’s not famous, rich, recognized or read in schools across America. He has been published in several literary journals, done a couple podcasts, started the YouTube channel, Screaming Down the Poetic Highway KenTomaro.com
Nolcha Fox’s poems have been curated in print and online journals. Her poetry books are available on Amazon and Dancing Girl Press. Nominee for 2023, 2024, and 2025 Best of The Net. Nominee for 2023 and 2024 Pushcart Prize. Editor of Chewers by Masticadores. Co-Poetry Editor of LatinosUSA. Websites: https://bit.ly/3bT9tYu and https://nolchafox2.wixsite.com/nolcha… Facebook: / nolcha.fox
Would you believe that it’s been three years since this book was published? This means I have known Zan for over three years. And what a celebration this is!
What is After the Rainbow about?
Throughout the storms of the pandemic and other challenges, #1 bestselling poet Zaneta Varnado Johns wrote to capture her rainbow of intense emotions. In After the Rainbow, maturity oozes throughout the golden lyrics penned in her highly anticipated second book of poetry. The collection captures her transition to a woman in full pursuit of her passion, loving aloud through reflection. As she expresses deep feelings, appreciation for nature, and life’s simple pleasures, this book covers more than a steppingstone path, but a deep dive into the realities of life. From these depths, the eagle soars as we get to experience transitions and triumphs, all a grand, escorted travel through faith and hope.
Prepare to be amazed at the levels this author is willing to share. As a prolific force with her dedications, Johns has expressed her admiration for souls before her, luminaries among us, and precious ones we have lost. Be inspired by the senior citizen with spunk, Ms. Maggie. Wipe a tear at the photo of the author’s granddaughter as she reads Amanda Gorman’s poetry. Sandwiched between generations of inspiration, Johns beautifully celebrates the people who touch her life. You will be introduced to two esteemed poets from the United Kingdom, Sarfraz Ahmed and Pratibha Savani. Each poet collaborated with Johns on poems, including the award-winning poem, “New Wonderland,” co-authored with Savani.
After the Rainbowwill captivate the reader with full on experiences, relatedness to life in life’s terms, and ultimately these golden expressions of poetry. We get to see inside the humor of this creative author as she shares about bubble baths, morning sounds, and a glimpse of her closet’s contents. Travel with her in the poem, “Casa Magdalena,” a cozy adobe spot in Santa Fe, New Mexico that captured her heart. Before we dip into the waters of this journey, Johns’ husband, James J. Johns II, offers a beautiful foreword and his own heartfelt poem. With this grand send off, this is a book which will be revisited time and time again.
We couldn’t let three years go by without a bonus for dedicated poetry lovers. Here’s what we have:
An exclusive discounted offer for each version of this beautiful poetry collection.
After the Rainbow Golden Poems Gold Signature Edition for 14.95 US until February 28, 2025
You’ve already learned of the new release of “End of Earth” but in case you missed it… it’s right HERE
This is the first of Two interviews. This first interview is with Nolcha Fox, the Poetry Contributor of the poetry and art collection by Nolcha Fox and Mike Armstrong.
Let’s learn about Nolcha Fox:
– Please tell us a bit about yourself and your journey as a poet and writer,
I started writing as a toddler, using poop on the walls. I also tried to write on myself using my mother’s red lipstick. She told me it took a little while before the red tint disappeared from my face and hair.
When I was a little older, I returned to walls with crayons. I must have been potty-trained.
I expanded my writing to the margins of pages, a little embarrassing to my father, who borrowed the book. That may have been when I fell in love with reading, too.
In school, I expanded my skills through writing assignments. I had a wonderful teacher who encouraged us to write in the style of different authors. I wrote in the style of Charles Dickens for a bit. Poor Dickens.
I journaled in my early 20s and 30s. My journals included some awful poetry. So awful, I eventually tossed a small library of journals into a dumpster and never looked back.
My poetry was awful because I didn’t write like myself. I didn’t trust my intuition to guide me.
Plus, the angst in my poems was over the top. Hormones will do that.
Finally, I stumbled into technical writing. What an education in learning how to write! Much of my career was a black hole that squashed my creative writing. After 8+ hours working at a computer, my eyes were too tired to stare at another screen.
I didn’t seriously write until I retired. I had to wait for my hormones to move to a tropical island before I could truly write instead of emote.
– What inspired you to start writing poetry?
A dear poet friend of mine suggested poetry when the pain of daily migraines made it next to impossible for me to write any short fiction.
My first poem was published, and I thought, hey, I can do this!
– How would you describe your writing style and the themes you often explore in your poetry?
I write about whatever comes to mind. When I start a poem, I have no idea where it will end. I went through a period of writing about grief after my mother died last year. Otherwise, my themes are all over the place.
Most of my poetry is short (10 lines or less), unless I’m working with a form, such as a pantoum.
– Congratulations on your latest poetry book! Can you give us an overview of what readers can expect from it?
It’s a collection of short poems written to Mike’s paintings. His paintings draw the reader in visually, and the poetry draws the reader in mentally/emotionally.
– What was the inspiration behind this particular collection of poems?
Mike, don’t kill me. My mother inspired the collection. She recommended writing to Mike’s art. At first, I protested, because I typically write to images that aren’t abstract, like Mike’s. She laughed and said I could write anything I wanted, and nobody would know the difference.
However, when I began the project, I found myself responding to colors and forms, so it was easier to do than I originally thought.
– Please share your poetry from this book.
They circle
Artist: Mike Armstrong
thinking I taste good,
at first, I think they’re vultures.
A second look reveals teeth.
Ah, they are money vampires.
They tell me they can hook me up,
no, cook me up in style.
They see me as some roadkill
and they’re a spatula.
***
Don’t let the light
Artist: Mike Armstrong
seep through the sutures of your skull,
don’t let it set your hair ablaze.
It’s hard enough to fit
into this dark and dreary world
without everybody noticing your fire.
– Could you walk us through your creative process when crafting a new poem?
Often, an unrelated object or experience comes to mind as I mull over a prompt or an experience/feeling. For example, I wanted to write to the prompt “bond,” but blueberries popped into my head. So, I wrote a line that included blueberries, and the whole poem fell into place.
I only take a couple of minutes to decide where to start, and I write quickly. I usually give a poem one editorial pass, and then get it out to the world. It’s similar to explosive barfing.
If I find myself struggling with a poem, I put it away. It’s not ready to be born yet.
– Do you have any rituals or routines that help you get into the right mindset for writing poetry?
I attend to anything that will distract me from writing (such as laundry, hungry dogs, or emails). And then I write. I usually write two poems a day between distractions. The most I ever wrote was seven poems in a day.
– How do you know when a poem is “finished” and ready to be included in your book?
I call a poem finished when I have no more to write. I read through it once to see if it makes me laugh or if I respond emotionally. Sometimes I think it’s garbage and ask a poet friend to give me his thoughts. I’m usually wrong.
– Many poets infuse their work with personal experiences or social commentary. Are there any recurring themes or messages in your poetry?
My personal experiences are usually boring. I never have enough understanding to engage in social commentary. I rely on my imagination to lead me into and through a poem. In End of Earth, I couldn’t tell you if there are any recurring anythings. I don’t know how to step outside my poetry and observe it critically, so I let other people analyze what I wrote. I’m moving on to the next poem.
– How do you balance the personal with the universal in your poems?
I stick to everyday, specific images. If the universal creeps in, yay for me. It wasn’t intentional.
– Are there any messages you hope readers take away from your poetry book?
I hope readers enjoy the feast Mike and I laid out for them.
– Who are some poets or writers that have influenced your work?
My top influences are Alice in Wonderland and The Cat in the Hat. I love the rhythm and imaginative storytelling.
– Are there any other art forms or sources of inspiration that impact your poetry?
I often write to photographs or art.
– How do you navigate the fine line between drawing inspiration from others’ work and maintaining your own unique voice as a poet?
I read other poets’ work voraciously. I now have an idea or phrase in a poem as a springboard. And delete the poem to save my poor computer from becoming a literary porker.
– Who do you envision as your target audience for this poetry book?
Readers who enjoy art and writing.
– What do you hope readers will gain or feel after reading your poems?
Enjoyment
– How do you handle feedback or criticism of your poetry, both positive and negative?
I say thank you.
– Can you share a bit about your experience with the publishing process for this book?
Working with Lisa is wonderful. Everything went smoothly.
– What advice would you give to aspiring poets who are looking to publish their own work?
Carefully consider how much writing time you’re willing to give up to promote your book. And don’t expect to become an overnight sensation.
– How do you approach marketing and promoting your poetry book to reach a wider audience?
I live in Wyoming, where I have to drive long distances to participate in readings, and local opportunities are few. I rely on social media to get the word out.
– Are there any upcoming projects or future plans you can share with us?
Lisa is publishing a collaborative book with poetry by Ken Tomaro and me in 2025. I have one more book in the queue, and then I plan to take a breather from book publishing.
– How do you see your poetry evolving or changing in the future?
No idea. My intuition doesn’t like to share her plans.
– Where can listeners find your poetry book and connect with you online?
My book will be available on Amazon and Barnes & Noble, and with other booksellers.
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